Ẩn mình trên một con đường yên tĩnh ở Dutchess County, New York, là một cấu trúc giống như nhà kho màu trắng khiêm tốn, được xây dựng với một thế kỷ trước trong tâm trí. Ngôi nhà 5 phòng ngủ, 3 phòng tắm rưỡi, với hiên nhà cột trắng đơn giản và tầm nhìn hoang sơ ra núi Stissing, dường như là sự gói gọn hoàn hảo của sự quyến rũ thế kỷ 19. Nhưng nó giữ một bí mật: Nó thực sự được xây dựng vào năm 2005.
Một cặp vợ chồng ở Brooklyn đang tìm kiếm một nơi nghỉ ngơi cuối tuần đã yêu thích nơi này, bất chấp một số điều kỳ quặc giữa chừng, chẳng hạn như một căn phòng lớn có chiều cao gấp đôi và một cầu thang quá lớn. Vì vậy, họ đã đưa công ty Frederick Tang Architecture có trụ sở tại Brooklyn để cải tạo nó. Các khách hàng – một người sáng lập công ty khởi nghiệp và giáo sư đạo đức sinh học – đã yêu một ngôi nhà gần đó mà studio đã thiết kế cho anh họ của người chồng. Đối với nơi ở nông thôn mới của họ, cặp đôi muốn có một bản cập nhật đặt chức năng, bạn bè và gia đình đang phát triển của họ lên hàng đầu.
“This is a funny, quirky couple,” says principal Frederick Tang, referencing the extensive collection of books and games that usually clog the family’s shelves. “Entertaining was one of the first requirements they voiced.”
“They’re very intellectual, but also have this deep appreciation for design,” adds the firm’s director of interiors, Barbara Reyes.
Though the clients originally enlisted the architects to renovate some bathrooms and rethink the main entertaining spaces, it became clear that this was a bigger job than they reckoned. Primarily, the design team had to transform the farmhouse into, well, more of a farmhouse.
“There were these awkward proportions, with a strange, triple turn back staircase and a massive colonial-style fireplace on steroids,” Tang remembers. “It wasn’t right.”
Exterior
Entry
In the entryway to a Dutchess County, New York, home with interiors by Frederick Tang Architecture, the bench is from Scout and Nimble. The floor is covered in Belgian terra-cotta tiles from Clé Tile that mimic the fireplace across the room
Entry
The bench is from Scout and Nimble. The floor is covered in Belgian terracotta tiles from Cle Tile that mimic the fireplace across the room
Staircase
Tang designed the custom oak tambour staircase in collaboration with Matt Hogan of Reliquary Studio.
Living Room
Belgian terra-cotta tiles by Clé cover the custom fireplace. The Reid Chaise sofa is from Design Within Reach, the armchair is from CB2, and the Giopato & Coombes pendants are from Suite NY.
Staircase
Tang designed the custom oak tambour staircase. Millwork by Matt Hogan of Reliquary Studio.
Kitchen
The millwork and cabinets are painted in Railings by Farrow & Ball. The navy blue tile is from Fireclay. The white oak Torii counter stools are by Bensen from Valley Variety.
Dining Area
Carl Hansen & Søn Wishbone chairs surround the custom walnut and ebonized hardwood dining table designed by Tang and built by Reliquary Studio. The sideboard is from Design Within Reach, and the bronze light is by Stéphane Parmentier from Studio Twenty Seven.
Breakfast Area
The custom banquette has a white oak tambour frame. The round dining table is from Rove Concepts.
Living Room
Belgian terracotta tiles by Cle Tile cover the custom fireplace. The Reid Chase sofa is ceom Design Within Reach, the armchair is from CB2, and the Giopato & Coombes Moonstone Nest pendants are from Suite NY.
Powder Room
The wallpaper is from Cole & Son. The wainscoting is painted in Pacific Sea Teal by Benjamin Moore.
Powder Room
The wallpaper is from Cole & Son. The wainscoting is painted in Pacific Sea Teal by Benjamin Moore.
Dog Bath
A custom dog bath was designed for the clients’ pooch and built out of white oak and soapstone.
Primary Bedroom
The walls are painted in Hague Blue from Farrow & Ball. The bedside tables are from Design Within Reach, and the ottomans at the foot of the bed are from West Elm.
Dog Bath
A custom dog bath was designed for the client’s pooch and built out of white oak and soapstone.
Primary Bedroom
The walls are painted in Hague Blue from Farrow & Ball. The bedside tables are from Design Within Reach and the ottomans at the foot of the bed are from West Elm.
Primary Bath
In the primary bath, the white oak cabinets are custom. The Mia Field Stone tiles that cover the floor are by Ann Sacks, and the stone vanity is made from an Ocean Black slate by Ciot. The polished nickel fixtures are by Waterworks.
Primary Bath
In the primary bath, the white oak cabinets are custom. The Mia Field Stone tiles that cover the floor are by Ann Sacks and the stone vanity is made from an Ocean Black Slate by Ciot.
All the polished nickel fixtures are by Waterworks.
Baby’s Room
Magical Forest wallpaper from Chasing Paper covers the walls of the woodland-themed nursery. The ceiling is painted in Peignoir from Farrow & Ball and the trim in Pacific Sea Teal from Benjamin Moore. The crib is from Pottery Barn. The tree stump floor cushion is from Maisonette and the natural oak stool from Design Within Reach. Tang chose a Lorena Canals Tribu rug for the floor and a Willow Leaf light from Anthropologie for the ceiling.
Exterior
The house, which was originally built in 2005, sits on a pristine rural plot.
Baby’s Room
Magical Forest wallpaper from Chasing Paper covers the walls of the Woodland-themed nursery. The ceiling is painted in Peignoir from Farrow & Ball and the trim in Pacific Sea Teal. The crib is from Pottery Barn. The tree stump floor cushion is from Maisonette and the natural oak stool from Design Within Reach. Tang chose a Lorena Canals Tribu rug for the floor and a Willow Leaf light from Anthropologie for the ceiling.
Rather than continue with the 19th-century pastiche, Tang and Reyes turned to the modernist movement for inspiration, specifically the buildings Finnish-American architect Eliel Saarinen designed for the Cranbrook Academy of Art in the 1930s. “I love Saarinen’s work at Cranbrook because there is a historic vernacular to the work but also a clear modernist perspective,” says Tang. “When we started this project we knew it could not be slick.… It wasn’t a full gut renovation and much of the farm house quality was remaining, so we knew we had to find a language for our work that could play nice with the surrounding details.”
Tang’s team began in the great room—the double-height heart of the home that holds the entrance; open-plan living and dining areas; and the main staircase that connects it all. “A double-height space is not typical of a farmhouse,” says Tang. “We simplified the staircase so that it took up less space and opened up the living room.”
The new version, which references one of the teaching buildings Saarinen designed at Cranbrook and is milled from white oak, “celebrates what’s happening in the room spatially,” Reyes explains.
Now as guests go up and down the stairs, their hands fall comfortably into a pocket carved directly into the banister—smooth, curved, and designed to wear beautifully with use. “It took a lot of mockups to get right,” Tang says.
Once the stair was addressed, Tang’s team turned to that so-called colonial-style fireplace on steroids. The designers reimagined it as a sleek, gently curved volume, clad floor to ceiling in black Belgian terra-cotta brick—a dramatic tone that’s echoed in the foyer’s inky floor tile and black front door. “At first the clients weren’t sure about redesigning the fireplace,” says Reyes, “but when they saw the possibility of what it could be they were super excited.”
Similar references abound through the rest of the house. In the lower-level breakfast nook, for instance, the base of the table mimics the staircase’s millwork. Upstairs, teal paint on the primary bedroom’s walls appears again on the moldings that outline the nursery. “There’s a lot of cohesion in the house because of the overlapping colors,” Reyes explains.
The client’s desire for comfort is another central theme in the home, with requests for an upholstered headboard (the better to sit up and read at bedtime) addressed in the primary bedroom, as well as a two-person tub (perfectly appointed to take in the unblemished country views) met in the adjoining bathroom.
In fact, the house is blissful whether the family’s alone or whether guests are visiting. Though the clients spend most of their time in Brooklyn, this house has become an important getaway for them. They love to host their respective big families for visits, so much so that they hosted Thanksgiving dinner without a hitch. Who knows? This house might be the entry to a whole new project for another cousin.
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